BODLEIAN LIBRARY
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MAKING MANUSCRIPTS FOR A PRINCE OF THE BLACK SHEEP
Making Manuscripts for Prince of the Black Sheep is a research project undertaken as a Bahari Fellowship in the Persian Arts of the Book at the Bodleian Library, University of Oxford.
The research is a study of the structure, layout, and illuminations of a series of manuscripts in the Bodleian Special Collections. They were made in the mid-15th century for a Turkman prince who ruled in Shiraz and Baghdad.
To see a dedicated Blog documenting the progress of the work, please click the link below:
THE MANUSCRIPTS
Books commissioned by Pir Budaq, a 15th century Turkman Prince.
Some of the most beautiful books to have been produced in 15th century Iran and Iraq, these manuscripts are distinguished by the high quality of their production and illuminations.
The largest is a Masnavi of Jalal al-Din Rumi, containing all six books of this monumental work of Sufi poetry.
The other books made for Pir Budaq include a set of three small and exquisite poetry books, written in elegant Persian Nasta'liq script, and featuring one of the earliest luxury productions of the Ruba'iyyat of Omar Khayyam.
THE RESEARCH
I made an intensive non-invasive study of the Codicology of the manuscripts, in collaboration with the Bodleian Library's departments of Care & Conservation and Heritage Science. The work involved a detailed examination of the structure and layout of the books, a study of Illumination styles, and scientific analyses of the pigments and paper.
The pigments were examined using microscopy, infra-red microscopy, Raman spectroscopy. This also afforded insights into the working practices of the artists who made the manuscripts. Evidence of scoring and compass holes, for example, proved that the designs were drafted from scrach on the actual folios.
